Anglais Artquake : the most disruptive works in modern art (édition en anglais)

À propos

Discover art that dared to be different, risked reputations and put careers in jeopardy. This is what happens when artists take tradition and rip it up.

ArtQuake tells the stories of 50 pivotal works that shook the world, telling the fascinating stories behind their creation, reception and legacy. From Gustave Courbet's The Bathers (1853) to Marcel Duchamp's Fountain (1917); Yves Klein's Untitled Anthropometry (1960) to Judy Chicago's The Dinner Party (1974-79); Andres Serrano's Piss Christ (1987) to Banksy's Love is in the Bin (2018) - meet huge egos, uncompromising feminists, gifted recluses, spiritualists, anti-consumerists, activists, satirists and more.

In telling the history of modern and contemporary art through the works that were truly disruptive, and explaining the context in which each was created, ArtQuake demonstrates the heart of modern art, which is to constantly question and challenge expectation.

If you like this, FilmQuake is also available.

Rayons : Arts et spectacles > Généralités sur l'art > Essais / Réflexions / Ecrits sur l'art

  • Auteur(s)

    Susie Hodge

  • Éditeur

    Quarry

  • Distributeur

    Interart

  • Date de parution

    04/01/2022

  • EAN

    9780711254763

  • Disponibilité

    Disponible

  • Nombre de pages

    208 Pages

  • Longueur

    22.4 cm

  • Largeur

    16.4 cm

  • Épaisseur

    1.8 cm

  • Poids

    350 g

  • Support principal

    Grand format

Infos supplémentaires : Broché  

Susie Hodge

Susie Hodge has written over 100 books on art, art history and artistic techniques, including I Know an Artist, Art Quest: Classic Art Counterfeit, What Makes Great Design, Modern Art Mayhem, Why Your Five Year Old Could Not Have Done That, Art in Detail and Modern Art in Detail. In addition, she hosts lectures, talks and practical workshops, and regularly appears on television and radio, as well as in documentaries. She has twice been named the No. 1 art writer by the Independent.

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